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More Images Go-Betweens, The–G Stands For Go-Betweens: The Go-Betweens Anthology Volume 1 mp3 flac

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More Images Go-Betweens, The–G Stands For Go-Betweens: The Go-Betweens Anthology Volume 1  mp3 flac

The box set also contains a large-format 112-page book of liner notes, historical reminiscences by member Robert Forster, and archival photos, a silkscreen reproduction of the promo poster for the ‘Lee Remick’ single, and a reproduction of the band's first press-release. Boxed in heavy weight card in cloth wrap with marbled liner papers.

Artist: The Go-Betweens. Album: G Stands For Go-Betweens Volume One. Released: 2015. Format: MP3 320Kbps, FLAC. CD2: 01 – Your Turn My Turn 02 – One Thing Can Hold Us 03 – People Know 04 – The Girls Have Moved 05 – Midnight To Neon 06 – Eight Pictures 07 – Careless 08 – All About Strength 09 – Ride 10 – Hold Your Horses 11 – Arrow In A Bow 12 – It Could Be Anyone.

Though the Go-Betweens' time ended tragically with Grant McLennan's death in 2006, the band's legend and influence has only grown since then as more and more young bands and artists discover them. Despite their august status, the group's albums had sadly fallen out of print in the . Especially useful is the First Five Singles album, which shows that the band started off right away crafting super hooky and powerful songs. It may be the part of the set listeners will keep going back to over and over, especially when they need a quick blast of post-punk pop genius like "Lee Remick" or "Don't Let Him Come Back. G Stands for Go-Betweens is a labor of love, carefully put together by Forster with obvious affection, and essential for any fan of the band, especially those who treasure their tumultuous formative years over their more full-formed, yet still quite tumultuous, later period.

G Stands for Go-Betweens: Volume 1, 1978-1984. Robert Forster and Grant McLennan met as teenaged boys at the University of Queensland in Brisbane, Australia, as Forster explains in the book that's the centerpiece of this anthology of their first seven years together. His 70-page history of that period is written in the third person; count on the Go-Betweens for a touch of the impersonal where it's least expected

Find the latest tracks, albums, and images from The Go-Betweens. G Stands For Go-Betweens: The Go-Betweens Anthology Volume 1. 112 tracks. indie pop. australian.

G Stands For Go-Betweens is exhaustive in that way. There’s a wealth of archival material included on the four CDs: rough two-track sessions captured mere months after Forster and McLennan started the band in earnest, a live track from their brief sojourn to the UK and a full set from a 1982 gig in Sydney, radio sessions, and other stray tunes. His four songs on the Go-Betweens’ debut full-length Send Me A Lullaby helped balance the more agitated quality of Forster’s tunes. Spring Hill Fair was the album were Forster and McLennan achieved parity at last.

G Stands For Go-Betweens Volume One extensively documents the band’s origins in an ambitious box containing four vinyl albums, four compact discs and an extensive 112-page book, featuring a trove of archival photos and extensive historical liner notes from founding member Robert Forster, along with additional pieces from guest essayists, fans and contemporaries. Forster and McLennan went on to extensive solo careers before reuniting in 2000 and making three more Go-Betweens album together, including the ARIA-winning finalé, Oceans Apart.

When the two of them were playing fledgling gigs as the Go-Betweens in Brisbane with randomly borrowed drummers, or when they arrived in London a few years later without any contacts in the music business and nearly had to do a sheepish about-turn back to Australia, they couldn't have imagined the reputation they would leave behind. You get a lot for your money however, and G Stands for Go-Betweens Volume 1 is an exhaustive and authoritative exploration of the bands early years, between 1978 and 1984. The tracks are punchier and more confident, and the band had undergone a line-up change that would alter them for good – Robert Vickers had taken over Grant's bass duties and Grant was now free to play lead guitar. Spring Hill Fair is another great piece of work and runs Before Hollywood close.

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