» » No Artist - Live Mechanical Sound Effects In Stereo

No Artist - Live Mechanical Sound Effects In Stereo mp3 flac

  • Singer: No Artist
  • Album: Live Mechanical Sound Effects In Stereo
  • MP3: 1517 mb | FLAC: 1174 mb
  • Released: 1971
  • Country: US
  • Style: Movie Effects, Special Effects
  • Rating: 4.4/5
  • Votes: 386
  • Format: AA TTA WMA VQF DTS MPC XM
No Artist - Live Mechanical Sound Effects In Stereo mp3 flac

This album appears to be a compilation of sound effects previously released on the Audio Fidelity label going back to 1960. The technical information is not touted with such pride and detail as in the liner notes of the initial releases

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Recordings have been processed using the Control V2 plugin by Brainworx. A premium collection of stereo-ambient and mono-bird recordings made in Spring, at the edge of the Saharan Atlas Mountains in eastern Morocco, and reflecting the sound of the deserts and other arid habitats of North Africa and beyond into the Middle East. Scroll down for full info and file list.

Mechanical Sound Effects. Remember to read Terms of Use before downloading and using the sound effects or music tracks. 0:25 48 kHz 16 bit Stereo. Sound: Hand Saw Sound Effect 2. The sound of sawing wood Keywords: cut, cutting, wood.

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In Stereo is the debut studio album by hip hop group Bomfunk MC's, released in 1999 through Sony Music Finland/Epidrome. The album reached No. 1 on that year's Finnish albums chart and remained on that chart for 69 weeks. Freestyler" was released as a single and became a chart-topping hit worldwide during the first half of 2000, reaching No. 1 in eleven countries.

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Tracklist

DC 8 Jet Taking Off 0:29
Teletype Machines, Newsroom 0:49
Car Crashing - Screaming Tires 0:11
Electric Pump 0:46
Racing Cars (Starting, Racing) 0:51
Airplane Interior, Start Engines 0:33
Diesel Engine (Long Train) 0:44
Heavy-Duty Motors With Circuit Breakers 0:25
Police Car Passing 0:58
Package Machine, Collator 0:34
Roller Coaster, Girl Screaming 0:54
Pinball Machine 0:56
Elevated Train 0:28
Airplane Interior, Take-Off 0:54
Lawnmower 0:44
Escalator Ride 0:44
Motorcycle Starts: Circles, Stops (Squeal & Skid) 0:29
Telephone Receiver, Dial Tone, Dialing, Ringing 0:42
New York Subway 0:53
Clothes Dryer 0:36
Cars And Trucks On Highway 0:34
Elevator With Gate 0:39
Bulldozer 0:57
Adding Machine 0:28
Stock Cars In Race: Passing, Turning, Shifting 0:41
Electrocardiograph 1:36
Fire Engine 0:34
Electric Mixer 0:50
Slot Machine 0:22
Freight Elevator 0:20
Packaging Machine: Shrink-Wrapper 0:32
Electric Can-Opener 0:13
Turnstiles 0:59
Washing Machine: Start, Fill, Wash 1:25
Auto Body Crusher 0:28
Small Cement-Mixer 0:46
Mechanical Toy 0:32
Chain-Drive Overhead Door 0:24

Versions

Category Artist Title (Format) Label Category Country Year
50-2016 No Artist Live Mechanical Sound Effects In Stereo ‎(LP, Album) Audio Fidelity, Realistic 50-2016 US 1971
51-2778 No Artist Live Mechanical Sound Effects In Stereo ‎(Cass, Album) Realistic 51-2778 US Unknown
Leniga
This album appears to be a compilation of sound effects previously released on the Audio Fidelity label going back to 1960. Several clues suggest that it was created with less care and interest than those in the original AF run. The vinyl is not as heavy. The technical information is not touted with such pride and detail as in the liner notes of the initial releases. Whereas the original albums claimed a frequency response of 16 Hz to 25 kHz, the same effects appear on this album with a comparatively restricted range of 20 Hz to 20 kHz.I listened to this album shortly after listening to the first in the AF series (Sound Effects Volume 1, DFS 7006) and as a number of the effects are identical, I had the opportunity to directly compare them. Unfortunately the same effects presented herein do not quite match the startling realism as achieved in the original release, particularly in the pinball and adding machine sounds. Instead of the objects sounding live and present in your room, this album sounds a bit more like "a recording". Some subtle component is missing. The transients aren't as crisp. The contribution of those ultra-high frequencies in the original release is simply lacking this time around. I theorize that either these critical frequencies faded from the master tapes while they sat in storage in the years preceding this compilation re-release, or the equipment and processes used to manufacture this album were not of sufficient caliber to transfer those ultra-high frequencies from the master tapes to the extent that the original equipment did. For this reason, I rate the album at 4 stars instead of 5, and I'm sure that Audio Fidelity's creator Sidney Frey (who unfortunately passed away in 1968) would agree with my assessment.
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